e-minor descending
An improvisation of and old piece I’ve been playing with. Recorded 2011.0218 @ 11:50 PST.
I press RECORD
red flashing lights
capturing these moments
losing myself, remembering you
e-minor descending
melodic and melancholy
music wells up from within
just as love once did
changing tense
A blogger I follow posted this poem this morning, with Spanish thrown in for good measure:
it sounds romantic (by glitteringsootonhereyelashes)
morir:
it sounds romantic,
rose petals scattered on a bed, or floor,
before
you ravish me
or before i ravish you.y parece me muero
with your fingers running through my hair.
i wouldn’t have it any other way.
si: eso es.
I had to brush up on some Spanish, but once I did, the piece lit up for me. “Rose petals scattered… you ravish me” coupled with the foreign sense of death and dying. Such a romantic scenario, consuming the ever-present moment until it too, changes tense and dies.
And such is romantic love. I can be consumed by it, obsessed and taken over by it. I lose myself and my center. I become horizontal, ellipted, reaching too far over to one side, compromising the core of my being. As I see this from the outside, looking in, re-presenting what I thought I experienced then, again, and sometimes again, I initially get hooked on the drug I didn’t know I was taking.
I get so used to the feeling of being wanted, loved, and needed that I lose myself in the world when this outer relating changes shape or comes to an end. So there has to be a better way. While I will always cherish romance, it can’t be my sole focus, my everything. That’s out of balance, and inherently unstable. It’s like a cam, a wheel with one side chopped off, spinning and yet throwing everything out of alignment. It vibrates. Just as romantic, sexual love vibrates through me when it’s turning.
And when it’s not? I’m wanting for the maligned vibrations. I want them more than I ever did. Once the numbness wears off, I realize how much I counted on it being there, turning, burning, shimmying and shaking itself and me. How I smiled the whole time! How I knew this was the one! And yet, I’ve been through this before, haven’t I? I’ve loved so hard it hurts and still keep loving, with idle periods in between best reserved for tending to my emotional wounds. Heartache? Screw heartache. My whole being aches when it ends, and yet, I don’t exactly die.
##
Changing tense,
not making sense.
What seemed so durable,
is now moot, unspeakable.
Just saying this makes me
tremble with fear.
My emotional idiocy,
my blind faith in you.
I crumble when I
think of you.
I used to think of you
every time I breathed.
At least, I used to.
another lesson learned
I needed you
I trusted you
I opened my darkness
to your luminous embrace.
You abandoned me
You left me, unfinished
No sign of your return.
No one got this close.
No one saw what you saw.
And yet:
It’s easier to run from it
and try to forget.
To be there, for real
was not part of the deal.
••
I woke up early today
A voice spoke decidedly:
“I am your father.”
The man concerned with
concepts, logic, getting things done.
That child left dangling,
waiting for your return,
has always been protected.
Another lesson learned.
so much anger
So much anger.
An acid that eats me,
from inside out.
So much resistance.
It comes so easily,
I can’t make it stop.
Rage building
a fire inside me
broken windows
flames roaring though sashes.
Self-inflicted
I am a victim
You left me stranded
Loved me less than I demanded.
Yet when I choose peace,
I find it waiting there
Inside me
When I choose love,
I realize I’m
part of it astounds me
What will I do:
Blindly continue?
Or start anew?
rag
Little ragtime theme I came up with while playing piano this morning. © 2011 Eric Forbes
the lonely side of outside, looking in
You left me
When I least expected it.
You loved me
And I can still feel it.
When you met him
You ran to him.
A quiet time.
I’m going deeper.
In search of me.
Then again (maybe)
I’m on the lonely side of
outside, looking in.
this grand analog world
Layering the grand piano with a synth pad makes for an easy riff recipe. In this one, I used Combination B105 on my Korg Triton keyboard synth (and the factory pattern) to get this idea rolling. Recorded using 4-tracks, no edits, as it happened 2011.0120.
decorative piano 2011.0118
Here’s a recording I did last night with no edits of a piece I’ve been working on for 20 years or so. Enjoy.
like I do
I wonder why it feels
so bad
to love you
like I do
© 2010.0819 Eric C Forbes